And that's the real takeaway for me, no matter the criticisms: I'm just really, really glad to see the original series back in the news, inspiring and challenging filmmakers of all ages.
A Giant Red Spider Nebula Is An Actual Thing, And It Looks Amazing
"...its powerful stellar winds generate waves 100 billion kilometers (62.4 billion miles) high. The waves are caused by supersonic shocks, formed when the local gas is compressed and heated in front of the rapidly expanding lobes. The atoms caught in the shock emit the spectacular radiation seen in this image."
"Blending In" Has Never Looked Better
The One Where I First Realized That There Might Be More To Matthew McConaughey Than I'd Thought
It's pretty much made for me, because I love WWII movies and I love submarine movies and this one's both. (There's something about the claustrophobia that fascinates me in a film, because it's both a huge challenge to the filmmakers and the very essence of what they're capturing. So the various ways they decide to tackle it are always interesting to me.)
Today's Jam Is Brought To You By NPR Music And The Masterful Leonard Cohen
My Favorite Part of CAPTAIN AMERICA: CIVIL WAR? That's Easy. The End Credits.
My Favorite Of Haydn's London Symphonies Is The One Called "The London"
This Short's Not For Kids. And That's Just Fine.
A year ago, I stumbled across a fantastic teaser for a short film named "Borrowed Time." It didn't say when the final product would appear, but it certainly did its job perfectly; I was hooked. The visuals were wonderful (unsurprising, given its creators' Pixar roots), but there was something lurking in the background that really felt ...different to me. Not quite sure what it was, but it was there.
...And I Think To Myself, "Maybe This World's Still Pretty Wonderful, After All."
Kids' Games Make Great Short Films, Apparently
Today's "True Life" Recommendation Was Directed by Robert Redford, Stars Ralph Fiennes, And Is Mostly Stolen By Paul Scofield And John Turturro
It remains one of the more fascinating "Based on a True Story" films, in my book. Why? Partially because it's about a smaller, more personal story than many of its "True Life" conterparts, and partially because it's really solidly (yet unflashily) made, and that's always a plus, in my book. Mostly, though, I enjoy it because it's about the small-yet-erosive concessions so many of us are willing to make for the sake of a little fame and fortune.
Today's Throwback Ear-Worm Lives Up To Its Name
Today's Short Made Me Cry Before I Even Watched It
"Make Thyself Clean, My Heart"
Eerie Erie
Today's Suggestion Is Robert Duvall's Film Debut, In Which He Speaks Not A Single Word. (He's Also The Sole Surviving Member Of Its Adult Cast.)
There's not much to be said about Mockingbird, really. Or at least I don't have much to add to the conversation. Most remember it for Peck and for Scout and for what it said (and did not say) about the simultaneously complicated and simplistic times in which it was made; I remember it for launching one of my all-time favorite cinematic careers. Either will do.
Editing To The Sounds Of The Smithy
Given that I have written at length of my appreciate for the performances of Sir Trevor Pinnock and of my love for François Couperin's "Les Barricades Mistérieuses" and for Georg Friedrich Händel's "The Harmonious Blacksmith," it's probably not a huge surprise that my "go-to" recording this time around was Pinnock's "The Harmonious Blacksmith" CD (which features both of those works).
The Latest "Susanka Wheelhouse" Video From The Nerdwriter
Anything saying that film titles are an important part of the creative process/setting the cinematic scene is exceedingly likely to grab my attention. And if it also says (essentially) that "Saul Bass Is King?" Even more than exceedingly likely. (My only criticism? Too short; not enough detail. Luckily, we'll always have ArtOfTheTitle.com.)
When Fixing Your Screen Door Is Practically A Work Of Art
It's not the most riveting thing I've ever seen, at least when judged in terms of the visual style and overall dynamics of its content. But there are some surprisingly fun little grace-notes that pop up unexpectedly -- the stop-motion staples crawling away made me laugh, for example -- and Howarth's woodworking skills are flat-out amazing for a non-handyman like me to watch (whether presented in a cutting-edge way or no).
Today's Short Is "Glorious, Unapologetic Eye-Candy!"
It's true, as Short Of The Week points out, that this short's story is not what one would call "ruthlessly" original -- in fact, it's pretty much a "one-trick pony." And the look and sound of the robots feel like little more than WALL·E Lite. But it's great fun to watch, all the same. And the Anthropomorphism Level of its (single) creator is Definitely Expert.



















